From Lagniappe Weekly: November’s MOJO Showcase – Spirit of 1959
Time may pass smoothly but that’s not the case for history. It jolts along in lurches and pauses, summoned and stalled by the forces surrounding it.
Art forms are the same way in development. Centuries might pass with little change before a revolution like the Renaissance shakes up the previous order and gives all a different lens through which to view our reality.
The Mystic Order of the Jazz Obsessed (MOJO) nods in appreciation to one of those lenses Nov. 24 at 6:30 p.m., when they look back to the year 1959 and its watershed releases. It’s the latest in MOJO’s acclaimed monthly Jazz Jambalaya series.
The five albums in focus – from Charles Mingus, Ornette Coleman, Dave Brubeck, Miles Davis and John Coltrane – run a wide gamut and represent a high water mark in terms of commercial appeal, artistic influence and cultural impact. …
Continue reading the full article HERE: November’s MOJO Showcase – Spirit of 1959
In San Diego, California, Robin Adler and Mutts of the Planet celebrate Mingus’s collaboration with Joni Mitchell. Click here to read the full article.
New York–based drummer Devin Gray says that a large-ensemble job he picked up over the summer was like many paying gigs: Show up and then find out who you’re playing with and what you’re playing. Some of the music was that of Charles Mingus, which Gray knew from his undergraduate days playing in a large ensemble that at the time was called the Peabody Big Band. “So I show up 5 minutes before the show, set up, and the leader’s just handing out tunes” on sheet music, says Gray, who graduated from the Peabody Institute’s Jazz Studies Department in 2006. “Three of them were Mingus tunes—and two of them, I remembered the whole arrangement. And when I was playing those tunes I could remember playing in the [Peabody] big band. And I was like, Whoa—I know this music.” …
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Thank you to Ronnie Scott’s for hosting a great week of Mingus music in London!
“Profound… The moments when the band came together were the most fascinating, because you could see anarchy and tight discipline rubbing shoulders… Holding these things in balance is bound to stir up unruly emotions, not at all of them bright. Sometimes it seemed as if the sheer intensity on that stage could spill over into a fist-fight. That feeling carries us back to something primordial in jazz, which is why these annual visits by the Mingus Big Band have become a fixture in the jazz-lover’s calendar.”
“A great tradition has been invented: this time of year has become synonymous with the Mingus Big Band spending a week at Ronnie Scott’s. Impressive display of interplay and remarkable improvisational talent present all evening.”
“The 14-piece ensemble that plays the music of Charles Mingus is a big beast of an orchestra that roars mightily but knows how to seductively purr when revealing the wry sensitivity that was also an integral part of the great bassist-pianist-composer’s psyche. “
Tuesday, Oct 28th, 2014
Manhattan School of Music
Carla Bossi Comelli Studio (7th Floor)
120 Claremont Ave. (122nd St. near Broadway)
Lecture by Ken Pullig of Berklee College of Music
Presented by Sue Mingus & Let My Children Hear Music, Inc.
Free & Open to the Public!
Ken Pullig is the retired Chair of Jazz Composition at Berklee College of Music where he taught Mingus for three decades. He is also the author of the upcoming book– Mingus Music!