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Mingus Sings on NPR

Listen to Kevin Whitehead discuss “Mingus Sings” on NPR’s Fresh Air.  The original article appears here.

 

Trombonist Ku-umba Frank Lacy Brings ‘Earnest Intensity’ To ‘Mingus Sings’

Full Transcription:

DAVE DAVIES, HOST:

This is FRESH AIR. Off and on for two decades, trombonist Ku-umba Frank Lacy has played in New York’s Mingus Big Band, dedicated to the music of the late Charles Mingus. On the band’s new album, Lacy steps out front, singing a batch of Mingus songs. Jazz critic Kevin Whitehead says it’s weirdly right.

(SOUNDBITE OF SONG, “PORTRAIT”)

KU-UMBA FRANK LACY: (Singing) I’ve seen a lot of pictures, most of the beauties of the world. From places I’ve traveled I still recall the quaint melody as I thrill. Painting my own…

KEVIN WHITEHEAD, BYLINE: Composer Charles Mingus loved words as well as music. He was writing lyrics and using singers from the first and would sing or recite his own texts later. He also wrote jazz’s great autobiographical novel, the stylish, funny and disturbing “Beneath The Underdog.” Mingus always got to the heart of things. His lyrics, like his performances, might overflow with feeling. This is from the young Charles Mingus’s “Weird Nightmare.”

(SOUNDBITE OF SONG, “WEIRD NIGHTMARE”)

LACY: (Singing) You’re there to haunt me when you say she doesn’t want me. I’ve been hurt. Do you know what that means? Weird nightmare, take away the grief you’ve shared. Weird nightmare, mend a heart that’s torn and has paid the price of love a thousandfold. Bring me a love with a heart of gold.

WHITEHEAD: “Weird Nightmare,” first recorded in 1946, sung by Ku-umba Frank Lacy. It’s from the not-so-accurately titled album “Mingus Sings,” co-starring Lacy and the Mingus Big Band. Frank Lacy’s voice and blustery delivery can be comically gruff, but he gets the right earnest intensity. And he knows all the Mingusy inflections from playing in the band with a trombonist’s crack timing and attention to every note’s pitch and vibrato. Lacy has what Mingus prized, a strong, individual voice. This is “Dry Cleaner From Des Moines” with Joni Mitchell’s lyric about an Iowan’s hot streak in Vegas.

(SOUNDBITE OF SONG, “DRY CLEANER FROM DES MOINES”)

LACY: (Singing) I talked to a cat from Des Moines. He said he ran a cleaning plant. The cat was clanking with coin. Well, he must’ve had a genie in his lamp ’cause every time I dropped a dime, I blew it. He kept ringing bells, nothing to it. He got three oranges, three lemons, three cherries, three plums. I’m losing my taste for fruit. Watching the dry cleaner do it like Midas in a polyester suit. It’s all luck. It’s just luck. You get a little lucky and you make a little money.

WHITEHEAD: Wayne Escoffery on tenor saxophone. Charles Mingus’s melodies can move in odd ways, but they are oddly singable. The weird dips make voices sound good. The lyricist heard from on “Mingus Sings” also include Elvis Costello, who sang a couple of tongue twisters. And there’s a recitation penned by poet Langston Hughes. I admit, I prefer Mingus’s own words heard on four tunes here. That said, while drummer Doug Hammond was with Mingus in the ’70s, he penned a sharp lyric for the previously unheard tune “Dizzy Profile.” It’s about trumpeter Dizzy Gillespie and how revolutionary ideas lose their sting over time and how to maybe fix that.

(SOUNDBITE OF SONG, “DIZZY PROFILE”)

LACY: (Singing) There was once a time a friend of mine would play a melody and there would be a song. Man, he used to say a crazy friend but when he would play his trumpet sound, we all would gather round. Dizzy made the songs, bebop was his name. But misunderstanding came to turn around, it’s meeting them. What the music said to play about we always never knew until we grew the sound. So remember now that crazy sound that he will begin to understand a storyline again.

WHITEHEAD: Ku-umba Frank Lacy and the Mingus Big Band with trumpeters Jack Walrath, Alex Norris and Lew Soloff, who passed away not long after the recording. Mingus would teach musicians melodies by singing them. And his horns could sound eerily like his voice. This Mingus Big Band catches that vocalized quality. It doesn’t hurt one of their own is singing out front. There are good soloists new and old, including saxophonists Alex Foster and Craig Handy and a couple of newly unearthed compositions. The title “Mingus Sings” is a shameless cheat, but the music’s worthy of the Mingus brand.

(SOUNDBITE OF MUSIC)

DAVIES: Kevin Whitehead writes for Point of Departure and is the author of “Why Jazz?” He reviewed “Mingus Sings” featuring Ku-umba Frank Lacy and the Mingus Big Band on the Sunnyside label. On tomorrow’s show, after 16 years, Jon Stewart is stepping down as host of “The Daily Show.” What will America do without him? We’ll listen to excerpts of our interviews with him and with one of his executive producers. Hope you can join us.

 

 

Gunther Schuller in The Independent

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(Gunther Schuller at the Mingus Festival 2013, photo by Sue Mingus)

 

Read the article here

“Gunther Schuller’s passing is a major loss to the world of both classical and jazz music. Not many have covered the musical spectrum as he did. One of Schuller’s earliest collaborations with Charles Mingus was conducting a Mingus composition called “Revelations” in 1955 at the Brandeis Festival of the Creative Arts. His last association with Mingus music was editing and conducting Mingus’s magnum opus “Epitaph”— a work that was 4000 measures long, required thirty-one musicians and almost three hours to perform. It was premiered in 1989 at Philharmonic Hall in New York, and was subsequently performed at Wolf Trap, Tanglewood, Chicago Symphony Center, Cleveland Symphony Hall, San Francisco Symphony Hall, and other venues.” — Sue Mingus

Mingus Sings releases June 23rd

We are pleased to announce the first ever Mingus vocal album:

Mingus Sings

with Ku-umba Frank Lacy and the Mingus Big Band

mingussings

 

With lyrics by Charles Mingus, Joni Mitchell, Elvis Costello, and Sue Mingus.  It also features Noonlight– a never-before-recorded Mingus composition discovered in the Mingus archives.

Pre-order the album here

 

Houston Press: Jazz’s Five Great Protest Songs

Excerpt from The Houston Press:

Charles Mingus, “Original Fables of Faubus”
In 1957, then-Gov. Orval Faubus ignored a unanimous decision by the U.S. Supreme Court by ordering the Arkansas National Guard to prevent the Little Rock Nine from legally entering a newly desegregated school. The absurdity of the event, placing military guards armed to the teeth in order to keep unarmed teenagers from lawfully entering school, drew the ire from many public officials, but the most razing attack came from one of jazz’s most innovative bassists, Charles Mingus.

Featured on Candid Records, the “Original Fables of Faubus” remains one of jazz’s most sardonically crafted songs today. It cheekily pokes fun at Faubus’ finer fascist features with a call-and-response approach: “Name me someone ridiculous, Dannie?/ Governor Faubus!/ Why’s he so sick and ridiculous?/ Because he won’t permit integrated schools!/ Well, he’s a fool!”

As Mingus howls his last response without mincing his words, he reminds us that Faubus wasn’t the only public official responsible. Eisenhower and Rockefeller shared the maligned governor’s shame by turning a blind eye to the events, attempting to minimize the stakes on a national scope. Echoes of “Boo! Ku Klux Klan (with your Jim Crow plan)” resonate today given the current state of racial politics. From a historical point of view, it wasn’t that long ago; moreover, it also reminds us that there is still much to be discussed.

Read the full article here