Tuesday, Oct 28th, 2014
Manhattan School of Music
Carla Bossi Comelli Studio (7th Floor)
120 Claremont Ave. (122nd St. near Broadway)
Lecture by Ken Pullig of Berklee College of Music
Presented by Sue Mingus & Let My Children Hear Music, Inc.
Free & Open to the Public!
Ken Pullig is the retired Chair of Jazz Composition at Berklee College of Music where he taught Mingus for three decades. He is also the author of the upcoming book– Mingus Music!
Mingus Big Band (through Monday) A 2011 Grammy winner for “Live at Jazz Standard,” this repertory band has held a Monday-night residency here for years. It also plays this weekend, filling in for a last-minute cancellation — and building as always on the rugged sophistication of Charles Mingus’s music, which still has the capacity to sound radical. At 7:30 and 9:30 p.m., Jazz Standard, 116 East 27th Street, Manhattan, 212-576-2232, jazzstandard.net; $25 and $30. (Chinen)
On June 27th, the Mingus Dynasty performed at the Brooklyn Academy of Music (click for link) for the screening of Manny Kirchheimer’s 1981 film “Stations of the Elevated”.
The film hasn’t been seen much since, except by generations of graffiti fans and writers who watched it on VHS tapes. Now it’s being re-released on the big screen, with a showing Friday at the Brooklyn Academy of Music. It will hit screens around the country this fall.
Stations of the Elevated is not a documentary in the usual sense. It’s only 45 minutes long; there’s no narrative and hardly any dialogue. The camera follows subway cars painted from top to bottom with vibrant graffiti compositions over a soundtrack of jazz by Charles Mingus.
Stations of the Elevated on NPR’s All Things Considered (click for link)
A Critic at Large
Black, Brown, and Beige
Duke Ellington’s music and race in America.
…”Two years before Ellington died, in 1972, Yale University held a gathering of leading black jazz musicians in order to raise money for a department of African-American music. Aside from Ellington, the musicians who came for three days of concerts, jam sessions, and workshops included Eubie Blake, Noble Sissle, Dizzy Gillespie, Charles Mingus, Max Roach, Mary Lou Williams, and Willie (the Lion) Smith. During a performance by a Gillespie-led sextet, someone evidently unhappy with this presence on campus called in a bomb threat. The police attempted to clear the building, but Mingus refused to leave, urging the officers to get all the others out but adamantly remaining onstage with his bass. “Racism planted that bomb, but racism ain’t strong enough to kill this music,” he was heard telling the police captain. (And very few people successfully argued with Mingus.) “If I’m going to die, I’m ready. But I’m going out playing ‘Sophisticated Lady.’ ” Once outside, Gillespie and his group set up again. But coming from inside was the sound of Mingus intently playing Ellington’s dreamy thirties hit, which, that day, became a protest song, as the performance just kept going on and on and getting hotter. In the street, Ellington stood in the waiting crowd just beyond the theatre’s open doors, smiling.” ♦
Read the full article here